Name Jessie Buckley<\/u> is everywhere right now, thanks to his new appointment as 2026 oscars<\/u> Chlo\u00e9 Zhao, Best Actress for her role as Agnes Shakespeare Hamnett<\/em>. But just weeks before heading to the British countryside to play the wife of England’s most famous playwright, Buckley was shooting another film about a famous bride \u2013 this time set in 1930s Chicago with a very different backdrop. Buckley switched up her signature bixie haircut and minimalist glam bleached eyebrows<\/u>The bruised eyes and ink-stained mouth became the focus of Maggie Gyllenhaal’s reimagined Frankenstein film, Bride<\/em>.<\/p>\n Although Buckley’s scene-stealing performance as the self-described “wild” lead character \u2014 who rotates between the names Penelope, Ida, and, finally, The Bride \u2014 is entirely unforgettable, the aspect of the film that stuck in the minds of us beauty editors was the star’s striking look: ripe with bruised discoloration and dark spots protruding from the corner of her mouth. Criminal? Not just the dirty hands of its mad scientist creator, but the film’s decorated head makeup artist, nadia stacey<\/u><\/a>.<\/p>\n You may recognize Stacey’s work Emma Stone<\/u> from her shape-shifting roles bad things<\/em> And Cruella<\/em>But this romantic thriller directed hair and makeup heads down Campier Road.<\/p>\n Article continues below